RESEARCH - Feminist text based performance art
August 13, 2008 3:14 PM Subject: Fishing Trip -- Feminist Performance Research Expedition Hello Friends, Consider this note a research fishing expedition.
I am currently in the early stages of a new research/archival project entitled "Viscera & Ephemera: Feminist Text-Based Performance in Canada 1983-2008" and I am writing you today to ask if you have a memory of a feminist text-based performance (or several), or festival, or series, etc. that you think I should research for this project.
As it stands, I envision this research to include such diverse performances as feminist sketch comedy, dub theatre, performance art, "literary" performance (ie: based on literary works like novels, short stories, or poetry), women's performance festivals and reading series, and feminist/queer cabaret scenes.
Since there is generally little knowledge of these kinds of performances beyond their immediate milieu, I am asking you to cull your memory-banks and let me know about performances/performers you've seen or heard about, memorable shows, festivals, performance experiences, etc.
Most of the details about feminist text-based performance are apocryphal and anecdotal (i.e. "you had to be there"), so this stage of the research is very important. Imagine this being a virtual cocktail party...
My initial goals for this project are:
1. To show that there is a sustained and vibrant feminist performance scene in Canada and to document the herstory (is that too Second Wave?) of this/these scene(s) and to explore the implications of the predominantly local nature of this art form.
2. To look at the aesthetics and politics of feminist text-based performance across a 25-year period and to draw connections and make distinctions across generations, regions, identities, and histories in order to both particularize this history, and to take it seriously.
3. To create a book that includes reproductions of ephemera from these performances (photographs, handbills, letters, etc), and interviews with artists. Ie: Who says an academic book can't also be a fetish object?!
4. To consider how feminist text-based performance in Canada has been part of public culture, and read it as both art & activism.
5. To theorize the ways in which identity politics have changed in the 25-year period I consider, by navigating curatorial and production practices.
Thanks so much for your time in reading this long message and for whatever time you can take to consider this request and respond to it. Please do forward this message on to your people...to anyone who you think will have something to add.
Enjoy what's left of the summer! All the best, T.L. Cowan tcowan@ualberta.ca Edmonton, AB
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