LIZ BARRON is a senior arts manager, an independent media arts curator and culture connector, located on the homeland of the Metis and Treaty One Territory.
Liz Barron is a Métis curator, arts manager, and cultural leader whose work focuses on contemporary Métis and IndigiQueer art through community-driven, relational, and land-based curatorial practices. She is the Métis Curator for the City of Calgary and Project Lead for Calgary Arts Development’s Bend in the Bow Public Art Festival (2027), a major multi-year initiative along the Bow River celebrating Indigenous and settler relationships to place.
Barron is a member of the Pimootayowin Creators Circle with the Royal Manitoba Theatre Centre and is currently attending Whiskey University, expanding her multidisciplinary storytelling and creative writing practice. Her cultural client list includes CARFAC National (the Indigenous Protocols podcast and research project, the Manitoba Music Indigenous Mentorship Program (as mentor), the Ottawa Symphony Orchestra, and numerous Indigenous-led arts and culture organizations across Canada.
Her current curatorial research project, Lines of Connection: Métis and IndigiQueer Art Across Borders, explores contemporary Métis practices through travel, studio visits, and writing, connecting artists and communities across regions and generations.
Barron’s connection to place is the homeland of the Metis. Her mother is from St. Francois Xavier, Manitoba and her father is from St. Francois Xavier/ Pigeon Lake, Manitoba. Her maternal grandparents are from St. Charles, Manitoba (Peltier / Pelletier) and Harperville, Manitoba (Miller). Her paternal grandparents are from St. Francois Xavier (Barron / Chalifoux). The Chalifoux were identified as Cree on the Canadian Census and claimed scrip.
Barron is a member of the Manitoba Metis Federation and a member of the Redboine Local, Winnipeg.